5. xx - The xxLabel: Young Turks
Genre: Indie Pop
The soft, echo-laden palpitations of a single guitar string sets the gentle and upbeat pace for the opening track of xx, which is quickly accompanied by wonderful electronic drum kicks that one can't help and snap their fingers to.
The lazy vocals of London-based the xx don't appear until 'VCR', but successfully add another layer of simplicity that runs alongside the band's overall minimalistic aesthetic.
The album strolls along to provide some really nice tracks, including their hit single 'Crystallized', but eventually the xx's pace slows down to create a sleepy space that becomes uninteresting. 'Infinity' is one of the album's truly slower moments that overcomes the temptation of being forgettable; it's probably the drum claps.
I really love 7 of the 12 tracks on xx, which presents a pleasing simplicity to indie electro-pop that is captivating but remains undemanding.
'Crystallized' by The xx.
4. Grizzly Bear - VectatimestLabel: Warp
Genre: Folk - Indie
There are no bells and whistles here. No electronic beats. No head-bobbing loops or Easter egg samples. And only rarely traces of electric guitar can be found. This is Veckatimest.
Grizzly Bear have a specific style that can't be missed, which stems from the crooning voice of Ed Droste and the band's use of acoustic space.
If the quick touches of piano chords that act as the backbone of the album's single, 'Two Weeks,' are meant to lure the tired eardrum, they certainly do their job. But if one ventures to buy the album, hoping for more sounds similar to the cooing fun of 'Two Weeks', they may turn away disappointed. Grizzly Bear's second album under Warp shares mostly quiet moments with its listeners, as folk bands do, thwarting the teenage musical credo that 'louder is better'.
Vectatimest may best be enjoyed from the record player at your house as you sit in a recliner leisurely working a crossword puzzle with the windows open, trees rustling in the passing winds, and the ambiance of the sun filling the room.
Re-listening to this album as I write this review, I'm surprised by how many good tracks I have overlooked. I was always caught up in 'Two Weeks' and 'While You Wait for the Others', but there is certainly more to be had.
'Two Weeks' by Grizzly Bear.
3. jj n° 2 -jjLabel: Sincerely Yours
Genre: Indie Pop - Electronic
Much like books, albums often get judged by their covers. For a long time, I fell victim to judging the cover of jj n° 2, thinking any band with a marijuana leaf on its cover will not contain any kind of music that I'd be interested in listening to.
I'm glad I finally came around on the artists known as jj, who I assumed to be a rap artist, when in truth was a Swedish indie group.
So one can imagine the surprise I found when first hearing the delicately light sprinkle of keys and airy vocals that begin the album on 'Things Will Never Be the Same Again' and flow throughout.
It's hard not to imagine a refreshing breeze while listening to the brisk 27-minute album, especially on tracks 'Are You Still in Vallda' and 'My Hopes and Dreams', when the acoustic guitar is brought in to set the music to a gallop.
Of the Top Five, jj n° 2 is the only album, partially because of its length, that I will listen to from front to back without thinking twice about it. All the songs are great to sing or whistle along to, and are perfect for a cool summer's drive through the city or along the coast. Your choice.
'Things Will Never Be the Same Again' by jj.
2. Animal Collective - Merriweather Post PavilionLabel: Domino
Genre: Post-Rock Experimental
Animal Collective—one of the best bands of this generation at challenging themselves to evolve their craft by introducing musical components that are on the cutting-edge of the genre—brought Merriweather Post Pavilion into the world just at the turn of 2009, in what some consider the band's most accessible album.
This instantly became my record of 2009, with 'My Girls' and 'Brother Sport' leading the way as the songs of the album, boasting of electronic repetitions that climax into well-oiled sound machines.
Animal Collective recorded this album as their 'outside' album—full of songs purposefully vast to without-a-doubt fill even the corners of Baltimore's legendary outdoor concert venue, from which the album gets its name—and is subtly touched by singing crickets atop marshy electronic textures to capture the essence of a midsummer's night.
While the two aforementioned tracks are clearly the standouts, I really like 8 of the 11 songs from the album, 'Bluish' being the best of the rest. Again, this would be my album of 2009, and will likely always remind me of Memphis.
'My Girls' by Animal Collective.
1. Bitte Orca - The Dirty ProjectorsLabel: Domino
Genre: Indie Pop - Alternative
The one word that comes to mind when first listening to a Dirty Projectors' album is 'disjointed'.
It's immediately difficult to appreciate the band's herky-jerky vocals, which provide three layers among themselves in addition to the instrumentation that too has a stop-and-start tempo.
But the more and more I listen to Bitte Orca, the more I understand it and see how the pieces fit together.
Granted, there are a few tracks—near the back of the album oddly enough—that are enjoyable from the get-go, and were the only reasons I continued to explore the rest. I even admit to bashing the album's first half before I had allowed it the sufficient playing time it requires.
Starter tracks for the curious would be 'Stillness is a Move', 'Two Doves', and 'No Intention'. Then I would suggest listening to Bitte Orca as a whole, where you will cultivate an even further attachment to the songs above, which act like a reward to your ears after braving the first tracks—which, I can honestly say now, are pretty good too.
'Stillness is a Move' by the Dirty Projectors.








